I’m based between Colorado, North Carolina and New York. My relationship to creativity began with Legos. Skateboarding taught me how to relate to the world through the artistic voices I admired. I was captivated by the excitement of glass work and began apprenticing in a factory setting around age 16. I attended Pilchuck Glass School shortly before making the jump to the mecca of glass working: Seattle, Washington. It was there that I had the honor of working with the renowned artist Martin Blank. In the span of five years, I absorbed many aspects of the art making process, including shipping, metal fabrication, and cold working. Subsequently, our team collaborated on the color design team for Chihuly Inc. 

I continue to make and exhibit my work at a high level but as the years roll by, I grew to search for other mediums of expression. I built a tiny house, retrofitted several motorcycles, worked as a LED Tech, print model, built a coffee shop in a gondola and the list goes on. I needed to articulate my ideas more clearly with the help of design, typography, video and technology. In 2019, I enrolled at School of Visual Arts and earned my BFA in Design. It’s really sharpened up my creative voice. In 2024, I was a contestant on the Blown Away Season 4. Recently, I’ve been doing skateboarding stunts incorporating molten glass, and the rest is simply folklore. 

Our world is undeniably in the midst of an environmental crisis. Regardless of political views, the fact remains that our planet is being mistreated. In many fields beyond art, there is a dichotomy between a green movement and the willful ignorance of the harm being done. I write this statement to shed light on the fact that I take this into profound consideration when conceptualizing and materializing my art works. 90% of the glass that I make is made at an environmentally considerate glass studio by the name of Jackson County Green Energy Park. This facility has been pivotal for my thinking on these matters. The reheating furnaces are fueled by the bio decomposition of trash. If it were not for this eco-facility, the use of glass in my art works would decline sharply. Methane is 20 times worse for the atmosphere than CO2 and therefore its combustion is the environmentally responsible conduct. I see my art is a byproduct of the investigation of renewable energy resources and environmental protection, in the midst of a reckless field. All the steel I use in my work is reclaimed from scrap yards, removing it from the waste stream and repurposing it. I cannot in good conscience ignore the environmental impacts my artwork has on the planet and have adjusted my lifestyle and work accordingly. Instead of just privately preaching, I hope to set a personal example to show my contemporaries that we can transition to a more eco-considerate practice. I tend to keep this conversation to myself but for humility's sake, I feel like this statement needs to be in writing for friends, clients, patrons who share the same drive to tread lightly on the planet but continue to perpetuate one's ideas.



Press


Love and Radio Podcast

This is a more in depth look at the photos I was taking at the time of the tale told on Love + Radio. I hope these pictures give a clearer image of what I was describing.

Music contribution by The Heresiarch

Link to Full Story.